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DTSTART;TZID=America/Detroit:20190422T150000
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DTSTAMP:20260822T020141
CREATED:20190319T211030Z
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SUMMARY:Ethics & Politics of AI: Anna Lauren Hoffmann
DESCRIPTION:Ehrlicher Room\, 3100 North Quad\n\n\n\nData Violence: Discourse and Justice in a Datafied World\n\n\n\nABSTRACT\n\n\n\nValues of fairness\, antidiscrimination\, and inclusion occupy a central place in the emerging ethics of data and algorithms. Their importance is underscored by the reality that data-intensive\, algorithmically-mediated decision systems—as represented by artificial intelligence and machine learning (AI/ML)—can exacerbate existing (or generate new) injustices\, worsening already problematic distributions of rights\, opportunities\, and wealth. At the same time\, critics of certain “fair” or “inclusive” approaches to the design and implementation of these systems have illustrated their limits\, pointing to problems with reductive or overly technical definitions of fairness or a general inability to appropriately address representative or dignitary harms. \n\n\n\nIn this talk\, I extend these critiques by focusing on problems of cultural and discursive violence. I begin by discussing trends in AI/ML fairness and inclusion discussion that mirror problematic tendencies from legal antidiscrimination discourses. From there\, I introduce “data violence” as a response to these trends. In particular\, I lay out the discursive bases of data-based violence—that is\, the discursive forms by which competing voices and various “fair” or “inclusive” solutions become legible (and others marginalized or ignored). In doing so\, I undermine any neat or easy distinction between the presence of violence and its absence—rather\, our sense of fair or inclusive conditions contain and feed the possibility of violent ones. I conclude by echoing feminist political philosopher Serene Khader’s call to move away from justice-imposing solutions toward justice-enhancing ones. Importantly\, justice-enhancing efforts cannot simply be a matter of protecting or “including” vulnerable others\, but must also attend to discourses and norms that generate asymmetrical vulnerabilities to violence in the first place. \n\n\n\nSPEAKER BIO\n\n\n\n\n\n\n\nI am Anna Lauren Hoffmann\, a scholar and writer working at the intersections of data\, technology\, culture\, and ethics. I am currently an Assistant Professor with The Information School at the University of Washington. \n\n\n\nMy work centers on issues in information\, data\, and ethics\, paying specific attention to the ways discourse\, design\, and uses of information technology work to promote or hinder the pursuit of important human values like respect and justice. I am concerned with the ways data\, information\, and technological systems (or the ways we talk about them) discriminate by undermining the development of self-respect of some\, especially through the infliction of symbolic and discursive violences. In addition\, I work on issues around ethics education for data professionals and computer scientists\, as well as the possibilities (and limits) of research ethics and professional codes of ethics.
URL:https://esc.dev.isr.umich.edu/event/ethics-politics-of-ai-anna-lauren-hoffman/
CATEGORIES:Ethics & Politics of AI
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DTSTART;TZID=America/Detroit:20190419T120000
DTEND;TZID=America/Detroit:20190419T130000
DTSTAMP:20260822T020141
CREATED:20190319T162621Z
LAST-MODIFIED:20190319T162621Z
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SUMMARY:CRITICAL x DESIGN: Lucy Suchman
DESCRIPTION:Times shown are Eastern Daylight Time (UTC/GMT-4)  \n\n\n\nEhrlicher Room\, 3100 North Quad \n\n\n\nFOR REMOTE PARTICIPANTS: Video from this talk will be streamed live. For video\, during the event visit this URL: http://umsi.info/suchman\n\n\n\nApparatuses of recognition: Google\, Project Maven\, and targeted killing\n\n\n\nABSTRACT\n\n\n\nIn June of 2018\, following a campaign initiated by activist employees within the company\, Google announced its intention not to renew a US Defense Department contract for Project Maven\, an initiative to automate the identification of military targets based on drone video footage. Defendants of the program argued that that it would increase the efficiency and effectiveness of US drone operations\, not least by enabling more accurate recognition of those who are the program’s legitimate targets and\, by implication\, sparing the lives of noncombatants. But this promise begs a more fundamental question: What relations of reciprocal familiarity does recognition presuppose? And in the absence of those relations\, what schemas of categorization inform our readings of the Other? \n\n\n\nThe focus of a growing body of scholarship\, this question haunts not only US military operations but an expanding array of technologies of social sorting. Understood as apparatuses of recognition (Barad 2007: 171)\, Project Maven and the US program of targeted killing are implicated in perpetuating the very architectures of enmity that they take as their necessitating conditions. I close with some thoughts on how we might interrupt the workings of these apparatuses\, in the service of wider movements for social justice. \n\n\n\nSPEAKER BIO\n\n\n\n\n\n\n\nLucy Suchman is Professor of Anthropology of Science and Technology at Lancaster University in the UK. Her research interests within the field of feminist science and technology studies are focused on technological imaginaries and material practices of technology design\, particularly developments at the interface of bodies and machines. Dr. Suchman’s current research extends her longstanding critical engagement with the field of human-computer interaction to contemporary warfighting\, including the figurations that inform immersive simulations\, and problems of “situational awareness” in remotely-controlled weapon systems. Dr. Suchman is concerned with the question of whose bodies are incorporated into these systems\, how and with what consequences for social justice and the possibility for a less violent world. \n\n\n\n  \n\n\n\nThe CRITICAL x DESIGN series is generously supported by the School of Information; the Center for Political Studies at the Institute for Social Research; and the Department of Communication Studies in the College of Literature\, Science\, and the Arts at the University of Michigan. \n\n\n\nThis lecture is also part of the ETHICS AND POLITICS OF AI series.
URL:https://esc.dev.isr.umich.edu/event/critical-x-design-lucy-suchman/
CATEGORIES:CRITICAL x DESIGN,Ethics & Politics of AI
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DTSTART;TZID=America/Detroit:20190417T180000
DTEND;TZID=America/Detroit:20190417T190000
DTSTAMP:20260822T020141
CREATED:20190402T142448Z
LAST-MODIFIED:20190402T142448Z
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SUMMARY:Dissonance: Understanding the Social Implications of AI
DESCRIPTION:“If we are going to augment humanity with the machine\, we need to do it in a way that doesn’t bring along our mistakes of the past.”   — Gregory Simpson\, Chief Technology Officer for Synchrony Financial \n\n\n\n \n\n\n\nThrough mobile phones\, the Internet of Things\, and web computing\, every single day around the globe we create a quintillion bytes of data. Pairing that trove of data with enormous computational power\, Artificial Intelligence (AI) is making strides into every aspect of everyday living\, from emails and targeted advertising\, to healthcare and education. But with great power comes great responsibility. This Dissonance Event Series discussion will take a multidisciplinary look at the social implications of artificial intelligence and consider the promises and potential pitfalls we may look forward too.  \n\n\n\nWhat: Understanding the Social Implications of AI \n\n\n\nWhere: The Michigan Room\, 2nd floor of the Michigan League \n\n\n\nWhen: April 17\, 6-7pm with cookies/coffee/punch to follow \n\n\n\nWho: Panelists are listed below \n\n\n\nElla Atkins\, Professor\, Aerospace Engineering\, College of Engineering  \n\n\n\nKentaro Toyama\, W.K. Kellogg Professor of Community Information\, School of Information; Fellow of the Dalai Lama Center for Ethics and Transformative Values\, MIT \n\n\n\nRam Vasudevan\, Assistant Professor\, Mechanical Engineering\, College of Engineering \n\n\n\nMichael Wellman\, Associate Dean for Academic Affairs\, Lynn A. Conway Collegiate Professor of Computer Science and Engineering\,College of Engineering (Moderator)  
URL:https://esc.dev.isr.umich.edu/event/dissonance-understanding-the-social-implications-of-ai/
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DTSTART;TZID=America/Detroit:20190411T120000
DTEND;TZID=America/Detroit:20190411T130000
DTSTAMP:20260822T020141
CREATED:20190319T162213Z
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SUMMARY:CRITICAL x DESIGN: Joy Lisi Rankin
DESCRIPTION:Ehrlicher Room\, 3100 North Quad\n\n\n\nOld\, Raw\, or New: A (New?) Deal for the Digital Age\n\n\n\nABSTRACT\n\n\n\nAmerican historians debate whether Franklin Delano Roosevelt’s Depression-era legislation was\, in fact\, a New Deal\, or perhaps an “Old Deal” or a “Raw Deal.” Considering multiple perspectives and voices\, combined with the long sweep of history\, stokes this lively\, ongoing debate. In this CRITICALxDESIGN talk\, I’ll turn my attention to American computing in the 1960s and 1970s to consider whether the academic networks of that era may be inspiration for a Digital New Deal. The users of 1960s and 1970s academic computing networks built\, accessed\, and participated in cooperative digital commons\, developing now-quotidian practices of personal computing and social media. In the process\, they became what I call “computing citizens.”  I’ll use several case studies to illustrate the dynamic – and unexpected – relationships among gender\, community\, computing\, and citizenship\, including the Old Deals and the Raw Deals of computing citizenship. How might these computing citizens inform crucial contemporary debates about technology and justice? \n\n\n\nSPEAKER BIO\n\n\n\n\n\n\n\nDr. Joy Lisi Rankin is a feministi\, anti-racist historian\, and a Contributing Editor for Lady Science. She is also a consultant for the documentaries The Birth of BASIC and The Queen of Code and for the television show Girls Code. Rankin was an Exchange Scholar at MIT while earning her doctorate in History from Yale University\, as well as a Visiting Scholar at the American Academy of Arts and Sciences. Prior to entering the academy\, she had a successful career launching educational programs for students of all ages\, which took her around the country. Her website is joyrankin.com. \n\n\n\nThe CRITICAL x DESIGN series is generously supported by the School of Information; the Center for Political Studies at the Institute for Social Research; and the Department of Communication Studies in the College of Literature\, Science\, and the Arts at the University of Michigan.
URL:https://esc.dev.isr.umich.edu/event/critical-x-design-joy-lisi-rankin/
CATEGORIES:CRITICAL x DESIGN
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DTSTART;TZID=America/Detroit:20190327T120000
DTEND;TZID=America/Detroit:20190327T130000
DTSTAMP:20260822T020141
CREATED:20190319T161859Z
LAST-MODIFIED:20190319T161859Z
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SUMMARY:CRITICAL x DESIGN: Ben Grosser
DESCRIPTION:Ehrlicher Room\, 3100 North Quad\n\n\n\nLess Metrics\, More Rando: (Net) Art as Software Research\n\n\n\nABSTRACT\n\n\n\nHow are numbers on Facebook changing what we “like” and who we “friend”? Why does a bit of nonsense sent via email scare both your mom and the NSA? What makes someone mad when they learn Google can’t see where they stand? From net art to robotics to supercuts to e-lit\, Ben Grosser will discuss several artworks that illustrate his methods for investigating the culture of software. \n\n\n\nSPEAKER BIO\n\n\n\n\n\n\n\nArtist Ben Grosser creates interactive experiences\, machines\, and systems that examine the cultural\, social\, and political implications of software. Recent exhibition venues include Eyebeam in New York\, Arebyte in London\, Museum Kesselhaus in Berlin\, Museu das Comunicações in Lisbon\, and Galerie Charlot in Paris. His works have been featured in The New Yorker\, Wired\, The Atlantic\, The Guardian\, The Washington Post\, El País\, Libération\, Süddeutsche Zeitung\, and Der Spiegel. The Chicago Tribune called him the “unrivaled king of ominous gibberish.” Slate referred to his work as “creative civil disobedience in the digital age.” Grosser’s recognitions include First Prize in VIDA 16\, and the Expanded Media Award for Network Culture from Stuttgarter Filmwinter. His writing about the cultural effects of technology has been published in journals such as Computational Culture\, Media-N\, and Big Data and Society. Grosser is an assistant professor of new media at the School of Art + Design\, co-founder of the Critical Technology Studies Lab at the National Center for Supercomputing Applications\, and an affiliate faculty member with the Unit for Criticism and the School of Information Sciences\, all at the University of Illinois at Urbana-Champaign.  \n\n\n\nhttps://bengrosser.com \n\n\n\nThe CRITICAL x DESIGN series is generously supported by the School of Information; the Center for Political Studies at the Institute for Social Research; and the Department of Communication Studies in the College of Literature\, Science\, and the Arts at the University of Michigan.
URL:https://esc.dev.isr.umich.edu/event/critical-x-design-ben-grosser/
CATEGORIES:CRITICAL x DESIGN
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DTSTART;TZID=America/Detroit:20190320T150000
DTEND;TZID=America/Detroit:20190320T160000
DTSTAMP:20260822T020142
CREATED:20190312T011625Z
LAST-MODIFIED:20190312T011625Z
UID:218-1553094000-1553097600@esc.dev.isr.umich.edu
SUMMARY:CRITICAL x DESIGN: Katherine Behar
DESCRIPTION:Ehrlicher Room\, 3100 North Quad\n\n\n\n\n\nDigitally Divided: The Art of Algorithmic (In)Decision\n\n\n\nABSTRACT\n\n\n\nIn “Digitally Divided\,” Behar presents her artwork with a focus on how algorithms dismantle and rearrange us. Across culture\, algorithms have been unleashed to allocate complex systems into manageable portions. They mete out standardization and suppress idiosyncrasy across diverse and defiant populations of human and nonhuman objects\, in ways that are socially\, technically\, and conceptually reductive. This lecture brings together examples of Behar’s videos\, interactive installations\, sculptures\, and performances\, alongside episodes from media history and popular culture to explore this core notion of being “digitally divided.” \n\n\n\nSPEAKER BIO\n\n\n\n\n\n\n\nKatherine Behar is an artist and critical theorist of new media whose work explores gender and labor in digital culture. In contexts spanning automated labor\, mandated obsolescence\, big data\, and machine learning\, Behar applies object-oriented feminism into practice in her art and writing. Her work connects feminist and antiracist post-colonial histories with a wave of new theories that grapple with the nonhuman object world. Katherine Behar’s works have appeared throughout North America and Europe. Pera Museum in Istanbul presented a comprehensive survey exhibition and catalog\, Katherine Behar: Data’s Entry | Veri Girişi\, in 2016. Additional solo exhibitions include Katherine Behar: Anonymous Autonomous (2018)\, Katherine Behar: E-Waste (2014\, catalog/traveling)\, and numerous others collaborating as “Disorientalism.” Behar is the editor of Object-Oriented Feminism\, coeditor of And Another Thing: Nonanthropocentrism and Art\, and author of Bigger than You: Big Data and Obesity. She is Associate Professor of New Media Arts at Baruch College\, CUNY. \n\n\n\n \n\n\n\nPhoto Credits:Katherine Behar. E-Waste (UCM-OR1X)\, 2014. USB devices\, Magic-Sculpt\, Foam Coat\, Paverpol\, Styrofoam\, stone filler\, sand\, pigment\, cords\, sound. Variable dimensions. Photo: Pera Museum. Image courtesy of the artist.
URL:https://esc.dev.isr.umich.edu/event/critical-design-katherine-behar/
CATEGORIES:CRITICAL x DESIGN
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